![]() ![]() Is it better than the previous version? That’s one for Dylanologists and diehard fans to debate long into the small hours of one too many mornings but it certainly lets you hear and appreciate the songs and the instrumentation in a whole new light – just listen to the drums on the new mix of ‘Standing in the Doorway’, the organ on ‘Tryin’ to Get to Heaven’ and the dirty blues of ‘Cold Irons Bound’, which will rattle your bones even more than the original.ĬD 2 and 3 – both made up of outtakes and alternate versions – are where things start to get really interesting. Sean Hannamĭylan’s voice is cleaner and more audible in the mix, which will please listeners who thought Lanois’ original production was too murky and swampy, and with too many effects on Dylan’s vocals. The 2022 remix of Time Out of Mind is sharper, crisper and live-sounding the performances are more intimate and immersive. It’s like you’re sat in the studio with Dylan and his band. To be fair, with the new version, Brauer has nailed it – the remix is sharper, crisper and live-sounding the performances are more intimate and immersive. With that in mind, the first disc in this 5CD offering is a new 2022 remix of the original release, by engineer, Michael Brauer, who says he was trying to capture something that had more of a feel of what was going on in the room, with less additional processing. The 5CD edition of Fragments: The Time Out of Mind Sessions (click to enlarge) ![]() There are plenty of stories about how Dylan and Lanois clashed in the studio over the sound of Time Out of Mind and Lanois’ approach to production. He’d previously worked with Dylan on 1989’s well-received Oh Mercy. For the brooding and bluesy Time Out of Mind – Dylan wrote the songs while snowbound on his Minnesota farm in the winter of 1996 – Daniel Lanois was at the controls. As Steven Hyden writes in his essay in the excellent hardcover book that accompanies this 5CD box set – Volume 17 in the Bootleg Series and issued to commemorate the album’s 25 th anniversary – when Time Out of Mind emerged, reviewers tagged it as a ‘mortality album’ – pointing to songs like ‘Tryin’ to Get to Heaven’ (“Trying to get to heaven before they close the door”) or ‘Not Dark Yet’, which is written from the point of view of a man confronting his twilight years.Ĭritics even suggested it might be the final great Bob Dylan album – it wasn’t of course, but, as it turned out, Time Out of Mind, was the last album Dylan made with a producer – all his records since have been self-produced, under the pseudonym Jack Frost. Prior to its release, Dylan had been plagued by ill health – a life-threatening respiratory infection caused by inhaling fungus spores, which he put down to riding his Harley in the Louisiana swamps. Seen as a real return to form following some patchy ‘80s offerings, it was Dylan’s first collection of original songs for seven years – since 1990’s Under the Red Sky. The record picked up three Grammys, including Album of the Year, in 1998. When it was released in 1997, Bob Dylan’s thirtieth studio album, Time Out of Mind, was hailed as a masterpiece. ![]()
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